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Tooth Of Crime
by T Bone Burnett

T Bone Burnett reviews
Critic Score
Metascore: 64 Metascore out of 100
User Score  
8.0 out of 10
based on 11 reviews
Read critic reviews
How did we calculate this?
based on 1 vote
Read user comments
Rate this album

The producer of many albums releases an album of songs from the Sam Shepard musical "The Tooth of Crime: Second Dance."

LABEL: Nonesuch
RELEASE DATE: 13 May 2008
DISCS: 1 disc
GENRE(S): Rock, Singer-Songwriter

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

88
The Phoenix
It’s a sonic adventure thanks to Burnett’s current signatures: booming drum kits sans cymbals, knotty guitars, lyrics sung through amplifiers, and an open, airy quality that’s the antithesis of modern rock production.
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80
All Music Guide
Tooth of Crime is a smart, absorbing, and beautifully disquieting collection of songs that could have come from no one else but T Bone Burnett, and it shows that one of America's best songwriters may be working at a very deliberate pace but he still has some remarkable things left to tell us.
Read Full Review
80
Boston Globe
Burnett has fashioned a sumptuously spooky, if lyrically opaque, work that feels both spacious and claustrophobic.
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80
The New York Times
Mr. Burnett’s songs for the show are the basis for his new album, and a decade of marinating and reworking has only deepened their black-humor charm.
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70
Hartford Courant
Had the album been inspired by any other play, that ambiguity would be a problem. Given the vagueness of the source material, however, Burnett's interpretation makes perfect sense.
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60
Rolling Stone
The lyrics are nearly as evocative, with Burnett issuing detective-novel threats ("I can stir you like a Bloody Mary") and spinning dystopian sci-fi fantasies. But too often, on songs such as the droney 'Dope Island' (a duet with ex Sam Phillips), Burnett's melodies veer between off-puttingly strange and nonexistent.
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60
Uncut
While there is no doubting the power of Marc Ribot’s off-kilter twanging or the noirish density of the music, the songs don’t really work on their own.
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60
PopMatters
Much of the album features a heavily minor-saturated tone complimented by dissonant brass chords and harmonies that emphasize the play’s catastrophic surrealism.
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40
Q Magazine
But even knowing that [it's inspired by a Sam Shepard play], it's impossible to tell what's going on. [June 2008, p.149]
40
Austin Chronicle
Guitarist Marc Ribot adds a little flash to the gray affair, but Burnett prefers subtlety, which may have worked in theatre but not so much on disc.
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40
Spin
Between the singer/songwriter's hectoring-preacher delivery and predictable surf-guitar-noir arrangements, the result is one dreary sermon.
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What Our Users Said

Vote Now! The average user rating for this album is 8.0 (out of 10) based on 1 User Votes
Note: User votes are NOT included in the Metascore calculation.

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