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Stars indicate the most critically-acclaimed albums.
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Offend Maggie
by Deerhoof
The latest release from the trio of rockers from San Francisco.
| LABEL: |
Kill Rock Stars |
| RELEASE DATE: |
07 October 2008 |
| DISCS: |
1 disc |
| GENRE(S): |
Rock, Indie |
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
91
The Onion (A.V. Club)
Nearly all the songs on Offend Maggie find different ways to achieve a surprisingly full, evocative union of Deerhoof's pop sense and experimental whims.
91
Entertainment Weekly
Nearly every tune sports a hummable melody--many of them sublime--which makes this album one of the more accessible entries in Deerhoof's willfully strange catalog.
90
No Ripcord
Despite the fact that Offend Maggie is, in some ways, a “nothing new” addition to Deerhoof’s canon, it’s also one of their best.
85
Prefix Magazine
Offend Maggie’s mellowness is not a lessening of Deerhoof’s strangeness. In fact, the emotional intensity of these songs may be even more pronounced than in songs from the past.
83
cokemachineglow
In short, this is not only more like it--this is possibly Deerhoof’s best album, lingering nostalgia issues with Reveille aside.
80
Boston Globe
There are no "eureka" moments on Offend Maggie but plenty of small epiphanies.
80
All Music Guide
More expansive than "Friend Opportunity," not quite as sprawling as "The Runners Four," Offend Maggie is among Deerhoof's most balanced albums.
80
Dusted Magazine
So, Offend Maggie doesn’t offer much in way of change. As cynical as the times we live in might be, that could be taken as a polite rebuke, but it’s not meant that way. They’re a creative band.
80
PopMatters
Remarkably, there has not been a dip in quality: simply put, Deerhoof is as strangely consistent as they are consistently strange.
80
Observer Music Monthly
Offend Maggie is head-spinning bliss from beginning to end, and proves that the quartet are the best prog-rock post-punk Afro-Oriental art-pop folk-jazz band in the world.
80
Alternative Press
Offend Maggie continues Deerhoof's winning streak and displays a band running at peak performance. [Nov 2008, p.154]
80
Mojo
The surprises keep coming. [Nov 2008, p.108]
80
Uncut
If Offend Maggie doesn't have quite have that idiot's glee it's nevertheless quite a riot. [Nov 2008, p.94]
80
Drowned In Sound
The best way to approach this band is to stop comparing them to the usual reference points--instead, it's far more rewarding to accept Offend Maggie as a land of its own making, something to be indulged, explored and, finally, cherished.
77
Paste Magazine
Though the sludgy abrasiveness of 1970s classic rock dominates, the influences, instruments and electronic sounds fly by at a dizzying pace.
76
Pitchfork
Maggie balks at the chance to make your knees go wobbly, keeping its allure strictly intellectual and technical rather than hot-blooded. That ethos isn't going to win a lot of hugs and kisses from fans or non-fans, but Maggie never asks for more than a firm, professional handshake, the kind of appreciation it more than deserves.
70
Tiny Mix Tapes
It shouldn’t offend, but it might be slow to engage.
70
Slant Magazine
Offend Maggie isn't a huge breakthrough for Deerhoof, but it's a step toward coherence with which few fans should have a problem.
70
Rolling Stone
Deerhoof offset the cutesiness with fuzzed-out riffs and brawny beats that even AC/DC fans could dig.
70
The New York Times
All the parts are in place on Offend Maggie, Deerhoof’s beguiling, characteristically uproarious new album.
70
Under The Radar
It's nice to hear the band still finding ways to broaden even its own experimental spirit. [Fall 2008, p.74]
70
Dot Music
Offend Maggie revels in that tease between balls-out western rock and Matsuzaki's playful but resolutely coy vocal patterns.
70
The Wire
Offend Maggie is the sound of a group mind at work, deep in spontaneous collective play--but a kind of play taken very very seriously. As it should be. [Dec 2008, p.58]
67
Austin Chronicle
New second guitarist Ed Rodriguez adds a nice sheen to John Dietrich's low end, drummer Greg Saunier's maniacal playing is its most metered yet, and singer Satomi Matsuzaki's singing and lyrics have matured.
60
NOW Magazine
Ultimately rewarding for indie enthusiasts up for a challenge, Offend might leave more pedestrian listeners scratching their heads.
60
Spin
The inspired moments of sunny pop and weirdo noise seem effortless, but so does all the aimless jamming.
The average user rating for this album is 8.2 (out of 10) based on 11 User Votes
Note: User votes are NOT included in the Metascore calculation.
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