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Safe Trip Home
by Dido

Dido reviews
Critic Score
Metascore: 74 Metascore out of 100
User Score  
8.6 out of 10
based on 14 reviews
Read critic reviews
How did we calculate this?
based on 18 votes
Read user comments
Rate this album

After a five year absence the British singer returns with her third album produced by Jon Brion.

LABEL: Arista
RELEASE DATE: 18 November 2008
DISCS: 1 disc
GENRE(S): Rock, Pop

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

90
All Music Guide
There are melancholic edges, but it's not haunting, it's comforting, reassuring music that's quietly powerful, music that Dido hinted at before but never quite made.
Read Full Review
80
Billboard
There isn't a standout single, but this is Dido's most fully realized and elegantly rendered collection.
Read Full Review
80
Observer Music Monthly
This album is a mature and thoughtful collection of songs and a fine memorial to her father, who would have been right to be proud.
Read Full Review
80
Boston Globe
It's taken nine years and two tries, but Dido has finally given her debut the follow-up it deserves.
Read Full Review
80
Q Magazine
Lucky, then she's so musically warm and, like its predecessors, Safe Trip Home takes comfort in a sound that almost masks her unrest. Almost. [Dec 2008, p.127]
75
Entertainment Weekly
The emotion in these sad, subtle songs seems inherent enough, though you may still find yourself wishing she'd allowed the slightest hint of it to creep into her voice.
Read Full Review
70
Sputnikmusic
It is an album that builds on everything she had done previously, but with a much more personal and mature touch than I ever expected from her.
Read Full Review
70
Rolling Stone
Dido's voice is so comforting, you almost miss the blues it conceals.
Read Full Review
67
The Onion (A.V. Club)
The album reveals nuances and feels richer with repeated plays, even though there's no single track that demands repeat listens. For songs that are just fine, they're great.
Read Full Review
60
Blender
Dido should let her socks go unsorted for a while; genuine sorrow sounds good on her.
Read Full Review
60
The Guardian
It's potentially affecting stuff, and the gentleness of the production--several songs sound as though they were recorded by candlelight--heightens the atmosphere of desolation and fragility. The problem is Dido's soft voice: it's so lacking in expressiveness that words and emotions drift by, too wan to strike home.
Read Full Review
60
Slant Magazine
The album might be Dido's least adventurous to date, her brand of vanilla soul going down like a warm cup of milk.
Read Full Review
50
Drowned In Sound
If you come to Safe Trip Home without expecting the big hits or a surprise collaboration with a rapper, you’ll be disappointed. If you’re a Dido faithful who’s just endured five years of hell, you’ll find she’s is still the perfect soundtrack to your life.
Read Full Review
50
Spin
Dido's third solo album reveals an unyielding fear of intimacy, her mellow trip-pop (coproduced by Jon Brion) buckling underneath sadness and alienation.
Read Full Review

What Our Users Said

Vote Now! The average user rating for this album is 8.6 (out of 10) based on 18 User Votes
Note: User votes are NOT included in the Metascore calculation.

[Anonymous] gave it a10:
Mature and so refreshingly different to the sound most artistes are going for today.

Jon H. gave it a10:
Her best album yet, a definite rebound after the beautiful but somewhat slight Life For Rent. There isn't a lot of singles here, but that's not a bad thing. The songs creep into your skull and stay with you. You'll be humming them to yourself soon. Check out Don't Believe in Love, Grafton Street, It Comes and It Goes and Burnin Love.

K. B. gave it a9:
It's really more intense than everything she done before. It's her best album ever.

Johanna M. gave it a6:
The album, taken as a whole, is quite nice. but very bland. It seems to largely be the same stuff you'd expect as filler tracks on Dido albums, but with none of the exceptional gems as seem in "Sand in my shoes" or "Isobel" from her first two albums.

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