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Fleet Foxes
by Fleet Foxes

Fleet Foxes reviews
Critic Score
Metascore: 87 Metascore out of 100
User Score  
8.5 out of 10
based on 30 reviews
Read critic reviews
How did we calculate this?
based on 124 votes
Read user comments
Rate this album

This is the debut album from the Seattle area quintet.

LABEL: Sub Pop
RELEASE DATE: 03 June 2008
DISCS: 1 disc
GENRE(S): Rock, Indie, Pop

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100
Delusions of Adequacy
With their self-titled debut, Fleet Foxes have attained this and have delivered one of the best albums of the year.
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100
musicOMH.com
A stunning debut then, and one that will make Fleet Foxes one of the most sought after bands of the year.
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100
The Guardian
It all adds up to a landmark in American music, an instant classic.
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100
Entertainment Weekly
Hushed and wistful, Foxes evokes the itinerant days of yore...you know, before gas cost four bucks a gallon.
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100
Mojo
The sense of wonder in Fleet Foxes' songs is matched only by the discipline and talent that created this adventurous, evocative record. One which is already shaping up as an album of the year. [July 2008, p.98]
90
Under The Radar
Tone is an alchemic process, and Fleet Foxes produce gold with regularity, a stunning feat for such a young band. [Summer 2008]
90
Dot Music
Ironically, though defined sartorially and sonically by this short window in history, the songs on their debut album are mostly timeless. Few better will be released in 2008.
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90
Hot Press
Impressive full length debut from enchanting Seattle-ites.
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90
Prefix Magazine
They deliver on [Sun Giant EP's] five-song teaser's promise and then some with their first full-length, a self-titled gem that already seems set to wind up near the top of any right-thinking person's year-end list.
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90
Pitchfork
What follows is surprisingly full and wide ranging, almost as much as the Bruegel painting that graces the album's cover.
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89
Austin Chronicle
A number of contemporary indie bands attempts to strip-mine mountain ballads in the service of indie pop, but none has melded the impulses as effortlessly and captivatingly as Fleet Foxes manage on "Blue Ridge Mountains" and "Oliver James." Sublime.
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83
The Onion (A.V. Club)
The wilderness goes from breathtaking to sort of boring after a while, but the overall effect is as refreshing as country air.
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80
Billboard
One of the most valuable qualities of good music is its ability to transport you to a moment in your past, a place you'll never see or somewhere that doesn't even exist. Thanks to their gloriously retro (and occasionally eerie) three-part harmonies, Seattle's Fleet Foxes accomplish all the above with their self-titled debut.
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80
Q Magazine
A pure pleasure. [July 2008, p.101]
80
Drowned In Sound
Fleet Foxes doesn’t leave the stereo. Three, four, five times through-–these songs resonate over and over until they stick for good. A sign of a great record: words fail but a feeling remains.
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80
Magnet
Fleet Foxes' full-length debut showcases a gift for folk-adjacent mini-epics that evolve in unexpected directions yet never lose their organic center. [Summer 2008, p.102]
80
Uncut
Like the equally rapturous “Sun Giant” EP which preceded it, Fleet Foxes’ debut album is a fastidious, sometimes overwhelmingly pretty evocation of the American wilderness; a dreamy companion piece to last month’s superb Bon Iver album.
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80
Rolling Stone
A lower-dosage Animal Collective, the Foxes stuff their free-form songs with rich, swirling melodies; billowing clouds of organs, tom-toms, bells and assorted stringed instruments cloak group vocals whose secular-gospel, suede-fringed precision owes plenty to Crosby, Stills and Nash.
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80
Spin
At its best, Fleet Foxes is warm and cathartic, with all the hopefulness of a balmy summer night.
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80
All Music Guide
Throughout the album, the band sounds wise beyond its years, so it's not really that surprising that Fleet Foxes is such a satisfying, self-assured debut.
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80
Paste Magazine
It’s like watching the sun rise over distant mountaintops, over and over, familiar and captivating all at once.
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80
Hartford Courant
Pecknold and guitarist Skyler Skjelset have been writing teenage symphonies to God since they were actual teenagers, and that transcendent love of music shines through in their own songs.
Read Full Review
80
PopMatters
That Fleet Foxes have crafted such a sublime debut less than two years into their existence as a band speaks to their collective pop genius .
Read Full Review
78
Almost Cool
As with many releases like this, I wish the ride were just a little bit more bumpy just to throw off expectations, but nonetheless Fleet Foxes have put out quite an enjoyable little debut here.
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70
No Ripcord
Fleet Foxes is certainly a very good record, but it is kept from greatness by its failure to capture the communal feeling of its excellent, buzz-building live shows.
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70
Dusted Magazine
At times, it sounds as though the band was still working through exactly how they wanted all of the various elements to work together, such that there are some immediate, hook-filled songs (“White Winter Hymnal,” “Your Protector,” “He Doesn’t Know Why”) and other songs whose more complex structures require more from the listener.
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70
Tiny Mix Tapes
Although there is much to like about the album, it can be difficult to differentiate one from another.
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70
New Musical Express
You have to wade through a lot of plaid-shirted, porch-rocking psychedelia before you get there. The patient pilgrim, though, can look forward to unearthing the widescreen Laurel Canyon-birthed wonder of ‘Your Protectors’ after one or two plays.
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70
Blender
None of the album rocks, or gets particularly rootsy. [July 2008, p.72]
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60
Sputnikmusic
There’s a huge promise to Fleet Foxes, one that can’t be ignored, but Pecknold and the rest of the guys haven’t tapped into it yet.
Read Full Review

What Our Users Said

Vote Now! The average user rating for this album is 8.5 (out of 10) based on 124 User Votes
Note: User votes are NOT included in the Metascore calculation.

David S gave it a10:
Instantly became one of my most favorite albums, but it's not for everybody since some people don't feel "cool" listening to folk-ish music the only problem i see with this band is, well, can they really make an album better than this one? i doubt it.

Joe Blow gave it a0:
Just another perfect example of the oldest misconception in the world, if everyone likes it that much, it must be good. Wrong. The way I see it, if everybody likes it that much, it probably means that it's suited for the masses, meaning, common, saturated ideas that are more than likely being done better elsewhere, not en-masse.

Brad Nienas gave it a9:
Hexum the people ur bashing make perfect sense, ur just to thick to understand them, awesome album by the way

Scott W gave it a9:
Stepping in to the music of The Fleet Foxes is about as folk as folk gets. A camp fire band if you could say. Bunch of Bards playing and singing before your ears. The bands first album is truly a satisfying one to listen to. It would be almost perfect, if they just cooled off on the complex elements waving together through some of the songs. This can tend to drag a great complex peace down if you go over the top. They do tend to do this at times and it makes it hard to focus on the music. Other then this the album is great for mature listeners.

Jeremy Shantz gave it a10:
Best album of 2008.

Will W gave it a9:
I saw the band live before I heard their CD. Very tight harmonies with great singable melodies. Very talented band.

Alex L gave it a10:
I listened to it when it first leaked, bought the vinyl when it was released, and continue to return to it more than any other album from 2008. The entire album is full of twists, brilliant vocals, and such distinct emotion that your mood can change the instant Red Squirrels stops its awkward chanting (I must say that part is the 10 or so seconds I dislike from the entire album). The guitar melodies are beautifully constructed to unsuspectingly pop in your head every so often-- which explains my addiction to it. I honestly think the best part about this album is that it's perfect "background" music. That's typically regarded as a bad thing, but I can walk, talk, work, think, or just plain listen to it. Brilliant stuff. The only bad thing is that I just don't see how they can possibly to top this sound in their sophomore effort. But I guess we'll just have to wait and see.

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