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Amputechture
by The Mars Volta

The Mars Volta reviews
Critic Score
Metascore: 61 Metascore out of 100
User Score  
8.3 out of 10
based on 28 reviews
Read critic reviews
How did we calculate this?
based on 90 votes
Read user comments
Rate this album

Red Hot Chili Peppers guitarist John Frusciante guests on the prog-rock band's third studio disc, which features eight tracks clocking in at an epic total of 76 minutes.

LABEL: Universal
RELEASE DATE: 12 September 2006
DISCS: 1 disc
GENRE(S): Alternative, Rock

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100
Observer Music Monthly
This early-Roxy-Music-meets-late Led-Zep-style third studio album finds the band stepping back from total impenetrability with a pithy, eight-song, 76-minute set, guaranteed to restore the faith of those whose confidence in this grand enterprise was waning.
Read Full Review
90
PopMatters
Amputechture is the most complete, most listenable, and most accomplished album from the band to date.
Read Full Review
80
Blender
It’s epic, mercurial, high-impact progressive rock that moves like a whirlwind.
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80
All Music Guide
The album is little different than their two previous atom bombs, De-Loused in the Comatorium and Frances the Mute -- tense and anxious, continually pushing the boundaries of extreme production, with long periods of dynamics that rise ever higher, followed by an explosion of release (usually screaming hard rock with storms of atonal brass and horns).
Read Full Review
80
Mojo
Strikes a perfect balance. [Sep 2006, p.96]
80
Slant Magazine
Amputechture shows a band honing their eruptive sound and bringing it into tight focus for the first time, routinely pushing their music to the wall without ever risking a breach.
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75
Entertainment Weekly
You'd think these guys would've overheated by now, but they still love channeling chaos into one long river of song. [15 Sep 2006, p.77]
75
Los Angeles Times
The punishing nature of the fusion furiosity is relieved by more soothing vocal sections. [12 Sep 2006]
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70
Drowned In Sound
All in all, Amputechture can be compared to watching a Hollywood car chase: impressive, but ultimately a heartless experience.
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70
Rolling Stone
It's on the second half where the Mars Volta catch fire. [21 Sep 2006, p.88]
68
ShakingThrough.net
Amputechture, with its obsessive exploration of religious fanaticism and the physical expression of devotional desire, is not an album wanting to be loved so much as feared and listened to with a sense of awe and taxed exasperation.
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67
The Onion (A.V. Club)
Sequenced into one long, continuous piece of music, most of Amputechture's tracks arrive at impressive jazz-fusion pit stops that are all too brief.
Read Full Review
60
Spin
As over the top as all this can be, Amputechture has little of the thrash influence that's made modern prog so deadening, and the impenetrable lyrics... are easily overlooked. [Sep 2006, p.104]
60
Uncut
It initially seems as if the moments of inspiration between self-indulgences are becoming scarcer. A bracing middle section resuces Amputechture. [Sep 2006, p.89]
60
Billboard
This record isn't for casual listening, so those checking out the Mars Volta for the first time should take it slow to prevent a sonic hangover.
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60
Under The Radar
With each album, the band seems to grab for so much, reaching further and further into the musical abyss, and still and managinge to craft songs that boggle the mind and dazzle the ears. The only question is whether all this is just too academic. [#15]
50
Tiny Mix Tapes
Amputechture, though not near as spam-handed as Frances, is a bumpy ride, registering somewhere between the latter and debut full-length De-Loused in the Comatorium.
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50
Village Voice
It's solid, but as with Radiohead's Kid A follow-up Amnesiac, it highlights its predecessor's brilliance rather than asserting its own.
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50
New Musical Express
There are bits of 'Amputechture' that sail perilously away from good honest prog into the realms of free jazz. [9 Sep 2006, p.37]
50
Alternative Press
All Amputechture does is test patience. [Oct 2006, p.200]
42
Stylus Magazine
It seems to prove a cardinal rule about art and ambition; if you paint in too many colors, you end up with mud brown. The Mars Volta could fill up whole galleries with canvases this color, and with Amputechture, have constructed another monochromatic monument to wild, uninhibited excess.
Read Full Review
40
Prefix Magazine
It's sad to see a band that touts itself as experimental sounding like a watered-down, unfocused version of its younger self.
Read Full Review
40
NOW Magazine
After an album's worth of tiring, spastic jazzy post-punk that smacks of musical masturbation, chances are you'll really miss At the Drive-In.
Read Full Review
40
Austin Chronicle
Amputechture is more a series of events than a complete experience. It's as though the Mars Volta is simply seeing what they can get away with.
Read Full Review
40
Q Magazine
With nary a tune in earshot, it sounds like an explosion in a guitar shop. [Oct 2006, p.124]
35
Pitchfork
Synths lap, strings weep soppingly, ham-fisted fingers tap, time signatures flash, and the amphetamine Beat poetry...is amphetamine Beat poetry.
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30
Magnet
Where 2005's harrowing Frances The Mute strikes the right balance between inspiration and indulgence, the Mars Volta loses its equilibrium with Amputechture. [#73, p.96]
24
cokemachineglow
Maddeningly diffuse at best, and an engorged sonic clusterfuck at worst.
Read Full Review

What Our Users Said

Vote Now! The average user rating for this album is 8.3 (out of 10) based on 90 User Votes
Note: User votes are NOT included in the Metascore calculation.

Einar1 J. gave it a10:
Truly beautiful. Amputechture is TMV's most mature work, often flying between rock, jazz and soul. Don't get me wrong, this album sounded awful at first, taking perhaps 15 proper listens to realize its immense beauty. From start to finish I feel the amazing composition and praise cedric's vocals. Of course, this album is far from De-Loused on terms of accessibility, but it shines through in the end. 'Vicarious Atonement' is jaw-dropping perfection, with 'Tetragrammaton' bringing the listener to rollercoasters of sound and distortion. 'Vermicide' is one of those oddly placed accessible songs in an album of distortion, fulfilling its place with simplicity. Next, 'Meccamputechture' sounds great then lags, but mainly due to its immense length. However, you fall in love with any flaws. 'Asilos Magdalena' is a stunning near-acoustic spanish ballad, totally crushing any typical mind-set. 'Viscera Eyes' is jazzed-up for action, crushing the listener with sound. 'Day of the Baphomets' is mind blowing and jammin' fun. The finale, 'El Ciervo Vulnerado' leaves you feeling like you just listened to a materpiece, without knowing what on earth, besides amputation, cedric has been taking about. Takes multiple listens, please take your time with this record, and don't rate a record you've never listened to.

TheMute gave it a10:
This is simply the best thing created now a days. A great album start to finish and all the future ones will be too.

Craig R. gave it a5:
I haven't listened to this album, but I do own the first two Mars Volta albums (didn't care much for either, but the first one was decent enough), but I really just wanted to comment on the ridiculous number of "if you don't like it, you're not smart enough to understand it" remarks". Since when do we use a person's inclinations towards prog rock to determine a person's intelligence? Based on my previous experiences with the Mars Volta, I've found them to be rather indecipherable, and really requiring way more time than I'm willing to invest in a band. Is it not acceptable that someone may not want to approach his or her music the same way they approach a college course on metaphysics? The Mars Volta are ultimately a band that I can appreciate for their technical ability and willingness to try new things, but they're certainly not a band that I would want to sit down and listen to. I get enough headaches from my college curriculum, thanks.

Kyle L. gave it a10:
Bash a band for being too experimental and using too many "colors" at least they try, they test themselves every album in an attempt to evolve from the last one instead of re-releasing the same sound in a different package. Omar Rodriguez-Lopez is a genius and i wish it rub off on the frusciante so the chili peppers could quit writing all this poppy crap.

Frank G. gave it a10:
If you never heard TMV befoe don't start here, if you have then its a masterpeice. The whole album is a work of art and I'm tired of people bashing TMV b/c they are not smart enough to get them... if your looking for a pop song.. dont even think about getting this album.

Matt? A gave it an8:
This album, i think, is The Mars Volta's most hardcore album yet. It's pretty hard to listen to, being that it's so hardcore, you know? Yet, in some ways, it's The Mars Volta at their best. Tetragrammaton and Day of the Baphomets are the best TMV songs to date, Viscera Eyes is totally awesome, Vermicide is beautiful, and the accoustic in Asilos Magdelina (or something like that...) is gangsta-licious. Aside from those songs, though, the others are a bit too lacking in structure. As an album, I prefer Deloused and Frances. However, this album's AWESOME moments do outweigh the uhhh...not-so-awesome. 8.4/10?

Manuel B. gave it a10:
podria escribir esto en inglés pero al carajo... Me molesta mucho las críticas estúpidas de tan Baja Nota de 9 hacia abajo en esta OBRA MAESTRA. Solo demuestra la ignorancia y la escasa apreciación de arte que tienen los críticos de esta página. Si no logran VER que este album es una obra maestra de plano ponganse a criticar cosas mas sencillas que no requieran talento alguno, como por ejemplo su Culo.

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